Last summer, a tourism board for Asia had a photo contest hosted on Instagram. They were to choose one winner and 4 runner-ups for each of the major cities in the region: Bangkok, Thailand; Delhi, India; Jakarta, Indonesia; Kuala Lumpur, Malaysia; Taipei, Taiwan; Tokyo, Japan; Tomsk, Russia; and Seoul, South Korea. The theme of the contest was “My Favourite Sunset Scenes of Asian Cities”.
They announced the winner for Seoul today, and I’m pleased, proud, and honoured to say that it was yours truly with this shot:
That’s not all. If you follow the link back to their main website, they also list the runner-ups…
As you can see in this screen shot, or if you visited the page and scrolled down, not only was I fortunate enough to win “Best Photo”, but I also managed to snag one of the “Excellence Awards”. Looking through the other cities, it appears that I am lucky enough to be the only one to have placed 2 photos.
In all I had tagged 11 photos of mine for entry into the contest. The one they chose to be the runner-up was a surprise. I had thought that the Gyeongbok Palace gate, aka Gwanghwan Gate would be my best chance. Here is a gallery of the entries:
Which one is your favourite? Let me know in the comment section below.
2019 has come and gone. We’re over a week into 2020 and I’m a little surprised I haven’t seen anyone make use of the myriad of 20/20 possibilities other than the Barbra Walters one. I suppose they’re waiting until they do their year end reviews of this year. So be forewarned: You will be inundated with a variation of “My year in review: Hindsight is 20/20”.
After reading my friends’ and colleagues’ blogs on their 2019 I got caught up in the wave. Roy Cruz, an ex-pat from the Philippines, a wonderful person and photographer (I’m probably forgetting bass player, as well.) has been using a format where he chooses his personal top 10. He takes it a wonderful step further and includes the camera, lens, and setting that was used for each photograph. He then writes a paragraph telling of the story behind each photograph.
Jason Teale is a fellow Canadian ex-pat, an awesome photographer and cinematographer. (If you don’t know what that is, click on the link and prepare for your mind to be blown.) I’m honoured to be able to call him a friend. He has done such amazing work as you’ve seen, but also the behind the scenes within the ex-pat photography circles here in South Korea. Whenever I need advice on something, he’s the first person I contact, and he’s always helping out the best he can. He puts photowalks together, Facebook groups together, and a website for other ex-pats who live or want to visit Ulsan, the city he’s called home for the past 15+ years. He offers online teaching and tutorials for photography and cinematography. Please do check out his page.
Jason, inspired by Roy, did a take on his top 9. He did an awesome job by giving an insight to his thought process behind each of the photographs which is awesome. When all of the “beginner” books and articles started to blur themselves into one another and no matter who I read, it felt like they were all saying the same thing, I wanted something else to help me further along the line. I wanted to know the thought process and what was going through the mind of the photographer when they decided to take that photograph- why they took that photo, not just how they got the photograph. This is what Jason has done and it’s brilliant.
This inspired me to do one as well.
I will give another long winded warning: During his time as a magazine mogul, David DuChemin in his interview sections would ask the photographer if he or she planned their shot or did they shoot primarily intuitive. That was the first I had ever come across that type of distinction, and it made a lot more sense to me and helped me understand where my mind was. It made me realize that I shot intuitively which is why it’s been so difficult to satisfy that need for the next step in my progress after the beginner books. So I apologize if the explanations are a little short of spectacular. (It did make a programme director upset once, which is a post for another day.)
For those who follow me on Instagram and Facebook, you are probably aware that I posted the “Best Nine” from each of my 4 Instagram accounts. This post I will look at my “main” account.
The first thing that jumped out at me was the fact that I had only posted 97 photographs in the year. In this day and age, that number is far too low, and I apologize. I’ll try to do better in 2020. What makes it even more sad is that 33% of these photos weren’t taken in 2019.
This green tea photo was from my first trip to Boseong with my D50 during the Green tea Festival in the spring of 2006. One of the first, if not the first photo I was able to get a little fog. I liked the freshness of this; the green, the blossoms, and the fog. Enough to make you think it was about 6am? I still shake my head today that this was at 2:30 pm.
This one, although I didn’t post it until January 2, 2019, was the final sunset of 2018 from Incheon overlooking the Yellow Sea. After 8 years of living on the east coast, it was nice to live a little closer to the west coast for the opportunity to capture some unblocked (by mountains) sunsets.
This next one was from the first week of January. I had worked a camp in the back hills of Yangju, and as I drove to the camp, to my surprise, was a Buddhist temple. It was still relatively small compared to many others I had seen, but this one had a building with a gold dome, something I had never seen. They were in the process of building the temple’s grounds and even dropping by yesterday, there is a lot of work to be done. These 3 statues have been moved to a more permanent location. I liked the simplicity of this angle and felt it deserving of a black and white transformation.
I can’t remember why I was downtown Seoul so early in the morning on this day. It’s possible I was in signing up for my Korean class. Even though this is 10:10 in the morning, you’d never guess that this is one of the busiest pedestrian streets in the city. This is Insadong, one of the most popular tourist areas. Generally this place is literally shoulder to shoulder full of people. I love the peace of an early morning city.
This next one, is a cinemagraph. You can’t see it here, but if you click on the image it will take you to my Flixel account where all of my cinemagraphs are shown. I wasn’t a lover of oysters – well any seafood for that matter – before I met my wife, a pescatarian. We came to this area for the lunar new year with her family because it’s a famous oyster area. It was so good that we came back a couple of weeks later by ourselves and turned it into a bit of a photography day trip. Being on the west coast again, a chance to get that pesky sunset.
This was also the time of year my professional life just got a whole lot busier…
As said, my professional life got a lot busier than I ever thought it would, meaning that it took more time than I thought it might. But there’s one time of year I have to get out and get something. Fast forward 3 months into May and Buddha’s birthday. It’s one of the most colourful times of the year. The temples themselves are painted with a wide range of colour, add the colours of the lanterns and pow! I found 2 temples hiding, buried in the hills not far from my last home. This temple had set cloth lanterns, something I hadn’t seen before. They are usually paper. These lanterns were awesome. The temple itself, other than the huge golden Buddha it had for a roof, was actually underwhelming, but these lanterns… I coupled this with one of my favourite things to do… shoot into the sun with some flares in the lens, something that my 30 and 40 year old lenses do nicely.
This next photo was a cinemagraph as well. To see it in action, click on the image to take you back to my Flixel account. This was the same day, just a little earlier than the previous image. This temple is just up the road from the other one. This one was a more traditional style temple but with much fewer buildings. I liked the lines and how the lanterns with their shadows formed a triangle on the building. There was a nice breeze as well, which made me get my tripod out of the car to allow me to film it to make the cinemagraph.
Photography is a funny animal, really. I was exploring the back alleys around Insadong, that popular tourist destination, looking for some inspiration. With this image, I don’t remember posting it, let alone taking it. I remember another photo that I took on the same exploration that day, but this one… But here it is… one of the most popular “by Instagram standards”, in fact it garnered the second most number of likes of the year. I can’t even find it in my archives. I have a funny feeling that this image, too, wasn’t taken in 2019, but clearly the one that I posted in 2019 and only 2019. Funny enough it was the most commented photo as well.
Later in the year, after my workload had calmed down, I went out looking to practice tourism portraits. I’m getting better, but my photos of people are generally pretty bad. It’s something I know and trying to change knowing that I am looking to make photography my full time career come March of this year. I would stop random people at various tourist areas in Seoul and ask if they would pose for me to help me practise and in return I would send them fully retouched and finished photos of their trip. These two were a father and daughter. She had been living in Korea for sometime and her father had come to visit from Malaysia. After posting it, it (for me) blew up and is by far the #1 like getting photo I have on Instagram. She had given me her Instagram name to send the photo to, so I visited her profile and found out that she’s a pretty big deal in Malaysia promoting Muslim women’s rights and peace.
So there you have it. I try not to have any favourite photos. I am a huge fan of John Stanmeyer, and his reasonings for not having a favourite photo really hit home to me and make 100% sense. (Another blog post for the future.) But I will admit that with these “Best Nine” things, I’m a little disappointed when certain images don’t make it. Which leads me to another problem to solve as I enter photography full-time: finding out the times and hashtags that will allow for the maximum viewership.
I’ll leave you with one of those images. Thanks for reading and let’s stay in touch for 2020 and let’s make it “Foresight is 20/20”.