Leigh Mac Arthur

Photography

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The first post of the new website in spring has to be of cherry blossoms, the signal of new beginnings.

Lantern House

A small cottage in Daegu, South Korea lit through and through by the setting sun.
How did you get into photography? I got into photography through curiosity. I spent a university semester studying in the south of France and I had my father's camera to document my time there.

There's an old saying that I like to believe: Everything happens for a reason.

I could go through the history of my life and there would be many times that I could use individual examples of points when, at the time, I asked myself, "Why did that happen?" There are also a lot of other examples that happened, that seemed rather normal. But when I look back at both, I say "Ahhhh, that happened to prepare me for this." Or that's what I like to believe. It makes the bad memories a little easier to digest.

But for the longest time, I didn't apply it to my photography. But I have seen the light. (No pun intended.)

Reason.

Even today, there are a lot of instances when I forget. "What is the reason for this photo? Why did I take it?"

Reason. It is the first and possibly the most important brick in your path. In fact, as I have learned over the years, it should be within every brick in your path. The reasons will change over time, just as everything changes. In fact, the reasons may change not only from day to day but even from hour to hour or even minute to minute.

I started out before digital cameras and my reasons were the same from day to day: to capture the places I had visited. With a limited budget for rolls of film and developing, I really had to pick and choose what I took photos of, at this point in my path, time of day had no influence on what I took photos of, but I had to choose wisely. This scan of a film print of my trip to Florence, Italy in 1996 is the photo I credit to starting my photography path, is a perfect example of my first reason: to document the places I visited.

Over time, the purchase of my first digital camera helped change my reasons. With not having to pay for film and developing I was able to start taking photos because I thought something looked nice and/or colourful. But that lead to something else. I will call it "the vacuum". This was a time along my path when I was taking pictures just for the sake of taking pictures. I would take the photo, and in many cases multiple photos for no other apparent reason other than to just use the camera. Sure many of the photos were nice, but if you had asked me at the time why I took those photos. I probably wouldn't be able to give an answer. Looking back at those photos I still wouldn't be able to give an answer, and I even ask myself, "Why did I take a photo of that?"

Even today, I still catch myself asking why I did something. The good thing is now, when I have to ask myself that question, I pull myself back and concentrate on the reason. It reminds me of a time I was filming an episode for a TV programme. We just got to the top of Namsan, a mountain in the downtown area of Seoul, South Korea at night. The remains of the old city wall are still very well preserved, and there were square holes in the wall that the soldiers could shoot from to protect the city. I crouched down and took a photo of the city through one of these holes. The director asked me why I took that shot. My answer was "I thought it might look cool." That's when he turned off the camera and it was brought to my attention that, that couldn't be a reason. So I came up with a story: With South Korea being a world leader in televisions, I thought that the wall represented a TV and the hole was the screen and all the lights of Seoul below were the pixels of the screen. Well, that didn't go over very well either. Do you know what? The actual photos that I took were nothing close to the way I had hoped, and they were just plain bad. This experience is what finally made me realize once and for all that there has to be a reason for the photo and to the photo. I took those photos thinking that they would look cool and they didn't, because I had no real reason for taking those photos.

Having a reason will lead you down the path of composition, f-stop, and shutter speed.

There must be a reason. This is true for all photos, and it does not matter the situation. Are you taking the photo with the phone that you just hurriedly pulled out of your pocket so you can post it on Facebook or Twitter? I feel that if you would like to have a better photo you have to have a bigger reason than "Just to post it." I would guess that the resulting photo is either going to be blurry or unflattering. Now if that's the look you were going for, then, great. But chances are you weren't.

You have to make a quick decision, 1. Do I enjoy the moment in its entirety? or 2. Do I want to share this experience with my friends and followers?

If you chose #2 and pulled out your camera, make it count. Share the experience. The experience that made you want to share it to begin with. Don't just press the button or shutter at the first possible moment your finger touches it. Relax, wait, try and get that moment that made you say to yourself, "Wow, I wish ________ was here to see and experience this," so that ________ will be able to see it and experience it. Chances are that if it is one of those experiences that you wished others were there to share with, it will either happen again or continue.

If it is one of those very short experiences, (trust me when I say I've had my fair share) I smile while nodding or shaking my head in disbelief or awe of what I witnessed and I am thankful that I was able to see it and experience it. One such situation that happened to me a while ago, I was set up waiting for the sun to rise on the coast and I noticed something fly behind me, bigger than a seagull, but I wasn't sure of what it was. I didn't see anything, but as I turned back around there was a large Eurasian Eagle Owl flying about 2-3 metres in front of me and my camera. My knees got weak and I froze as its two bright orangey-yellow eyes stared at me as it flew by. It wasn't until 3 minutes later that I remembered I had the camera in front of me with the shutter release in my hands. Had I tried getting those shots of it as it flew by, I will almost guarantee that those haunting eyes would never have had the lasting effect that they had.

If you hastily press the shutter and the photo doesn't turn out they way you hoped or remembered it, in my experience, one of 2 things might happen, and both will sour your memory of it. The first thing is spending too much time in post-processing trying to "save" the photo. It becomes an obsession, and after hours and hours of work, it may still not turn out the way you want or remember it. It will only turn the memory into a bad experience because you spent too much time on the post processing that it went past fun, it became "work".

The second thing that might happen is that the photo is so unflattering that it warps the memory that you had of the experience. You go back and look at the photo a few months or years later and think to yourself, "That's not exactly how I remember it." But because you have a photo of it that doesn't lie, you could start to think, "Well, maybe it wasn't that great after all." And since it has been proven that our memories of events aren't as sharp when we are photographing them, it will fade into the background of your mind. Which really would be a horrible thing, because the reality was that it was a spectacular experience.

As I mentioned earlier, your reasons can and will change over time and even from time to time. You could be shooting a rainbow to show off its colours and size for your friend in Europe to see, and then shooting a tornado that suddenly appeared to send to the local news paper or TV station. Situations can change that quickly.

The next time you have your camera in your hand, ask yourself first, "Why am I taking this photo?" You might surprise yourself with your answer, and by asking this question it will allow for your first step towards more meaningful photos, and it might make choices on shutter speed or depth of field easier.

In this second photo, the reason for the shot was to capture the two boys playing together both as a memory for the two boys, but also as a history shot of when I was their age playing with my brother on the beach. I wanted to show that no matter how much the world is changing, some things pass down from generation to generation, surrounded by the strength and stability of family and friends. I wanted to show the movement of the water, the symbol of life as it flows and to give a sense of how quickly the boys were moving and playing to show how quickly people act throughout their lives, but surrounded by the stable rocks of the mother and father (the 2 larger rocks) and the true friends (the smaller rocks) as they stand true and strong throughout their lives to serve as protection from the outside elements, the rough water on the other side of the rocks as well as a holding the stormy skies at bay. Because of these reasons, it allowed me to choose a slower shutter speed and get a lower point of view so that the the parental rocks appeared larger. For me, the reasons have changed over time. As I've said before, each brick is different, and sometimes I go back to the first reason of wanting to document the places I've been.

Now, about controlling the reason...

Oh, wait... what's that? What do you mean I can control the reason? Well, now. That changes everything... But we'll save that for another time.

Photography can be anything for everyone.

It can be art, history, meditation/relaxation, escape, adventure, exploration, enlightenment, sport, or a soap box. This can be true for both photographer and viewer. The beauty of photography is that these reasons can be interwoven and mixed with any percentage to make each brick or stone along your path to say what you want it to say, or mean what you want it to mean. It is your experience, your world, and only yours, which is what makes your path in photography so different.

For some, the path itself may be very similar, or even the same, but the cobblestones are arranged in a different order and/or using any number or other aspects that I didn't mention, as they venture along their experiences. My path, as a photographer, started with the historical stone. I love to travel, and I wanted to take photos of the places I had been to show friends and family, and as a keepsake for years down the road to gaze upon and reminisce and daydream. This stone lead to exploration, the search for more daydreams and places to reminisce about. This lead to relaxation and escape as I started to find more and more places that allowed me to exhale and say, "ahhhh." As I started to get off of the beaten path, I got to see a lot of things that woke me up to how the "real world" is, which lead to my soap box, trying to get more people to see how difficult the world is for many people who are undeservedly suffering. Which lead me to enlightenment, as I use photography to help me become a better person. Recognizing how much love and how much people are willing to give regardless of how much or how little they may have for themselves, and how much I want to be like them.

Within this enlightenment and soap box, I try to maintain the same constant throughout the path: art. I may not have any one brick that may be exclusively 'art' as so many other photographers around the world have, but it is the common thread, the mortar if you will, that holds my bricks together. But it is also this stimulus that allows, no, forces my path to meander through my experiences. A straight path from A to B may be the quickest way, but there are so many more interesting stories to experience when the road zigs and zags. Likewise, the stories are more interesting when there is the artistic element intertwined in each turn.

It is also the artistic side that allows my style, and yours, to change over time, and even from shoot to shoot. There are so many different factors that happen in each photograph, that no matter how many times something has been photographed it will always be different than the ones before it. That is the individuality of each photo and each person. Theses are the things that I hope to explore together with you as we make our treks down our paths, and with a little deeper understanding of my reasons and experiences of my photographic journey. Together we can learn from each other, and I hope that we can inspire not only ourselves but the people and subjects around us.

To quote the Japanese poet Matsuo Basho, "Everyday is a journey, and the journey itself home." Everyone is at a different point on their paths, some are just starting and others have been on their journey, if you will, for a long, long time. My hope is that this column will inform without teaching. By that I mean, I will not for the most part, be going through the numbers, exact shutter speeds, f-stops, and hyper-focal distances. (I may touch on them from time to time as each story may dictate its necessity.) That is being done everywhere in books, seminars, and online. Mr. Basho also said, "Do not seek to follow in the footsteps of the wise. Seek what they sought." When it comes to art, and especially photography in today's world, this quote is one of the keys for me. So let's start down our paths together and seek what the wise sought.

I also hope that this column can inspire without prejudice. It shouldn't matter where each of us is on our paths, they are just that, "OUR" paths. I hope that those who have been taking photos for years can get the same amount of inspiration as those who are just starting out. We're all under the same sun, same moon, and same clouds, and they don't care if you're taking a photo with a phone, a DSLR, or a disposable film camera. The only thing that matters is your own interaction with your experience and the building of new bricks for your path. Let's welcome these new experiences with open arms and let the art guide us down our paths.

Palace Hallway

Palace Ghosts

Evening Stroll

Sunset Over the Palace

I am a Canadian born photographer based in Pocheon, Gyeonggi Province of South Korea with my wonderful and loving wife. I have been photographing the Korean landscape for 10 years. I am always in search of natural beauty that emanates a sense of balance between tranquility and power drawing inspiration from mid to late Joseon Dynasty artistic themes and shapes mixed with European and Canadian colours.
When I first came to Korea in 2003, one of my first purchases was a 35mm camera. I wanted a film camera, because I didn’t want people to see my pictures and think that it was 10% picture and 90% computer enhancement. For me, this was the best learning tool. It taught me to get the best possible picture I could with the camera, with little or no room for error. A trait that I still hold today with my digital cameras.
Please click on one of the social media buttons to follow the goings on of my daily photographic life. I also hope that you feel free to contact me by using the email button or sending me a message through one of the social media sites if you are interested in purchasing or licensing any of my works.
Thank you for taking the time to look through my works. I hope you enjoyed looking at them as much as I had making them.

Korea Top10 Ep13 Beautiful 24 Hours Korea Top 10 아름다운 한국 24시 풍경 코리아 Top 10

Beautiful 24 Hours Korea Top 10 Throughout the day? At certain places and hours, you can come across breathtaking scenes that cannot be found by chance. Discover beautiful 24 hours of Korea, with scenes created by natural, historical, and modern charms. Embark on a photo essay journey with Leigh MacArthur, a photographer of beautiful landscapes.

한국기행 - Korea travel_강원도 겨울연가, 1부 해야 솟아라_#001

공식 홈페이지 : home.ebs.co.kr/ktravel EBS 한국기행, Korea travel, 20120109, 강원도 겨울연가, 1부 해야 솟아라 강원도 겨울연가, 1부 해야 솟아라 대한민국의 숨은 비경을 찾아 떠나는 공간여행 역사와 풍습, 건축, 문화의 향기를 느끼고 전달하는 아름다운 시간여행 이 프로그램은 우리들이 모르고 있는 또 다른 우리들의 이야기를 담아내는 살아있는 현장 다큐 멘터리입니다.

Royal Walk

Royal Walk